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A History of the Hal Roach Studios, by Richard Lewis Ward
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Once labeled the “lot that laugher built,” the Hal Roach Studios launched the comedic careers of such screen icons as Harold Lloyd, Our Gang, and Laurel and Hardy. With this stable of stars, the Roach enterprise operated for forty-six years on the fringes of the Hollywood studio system during a golden age of cinema and gained notoriety as a producer of short comedies, independent features, and weekly television series. Many of its productions are better remembered today than those by its larger contemporaries. In A History of the Hal Roach Studios, Richard Lewis Ward meticulously follows the timeline of the company’s existence from its humble inception in 1914 to its close in 1960 and, through both its obscure and famous productions, traces its resilience to larger trends in the entertainment business.
In the first few decades of the twentieth century, the motion picture industry was controlled by an elite handful of powerful firms that allowed very little room for new competition outside of their established cartel. The few independents that garnered some measure of success despite their outsider status usually did so by specializing in underserved or ignored niche markets. Here, Ward chronicles how the Roach Studios, at the mercy of exclusive distribution practices, managed to repeatedly redefine itself in order to survive for nearly a half-century in a cutthroat environment.
Hal Roach’s tactic was to nurture talent rather than exhaust it, and his star players spent the prime of their careers shooting productions on his lot. Even during periods of decline or misdirection, the Roach Studios turned out genuinely original material, such as the screwball classic Topper (1937), the brutally frank Of Mice and Men (1940), and the silent experiment One Million B.C. (1940). Ward’s exploration yields insight into the production and marketing strategies of an organization on the periphery of the theatrical film industry and calls attention to the interconnected nature of the studio system during the classic era. The volume also looks to the early days of television when the prolific Roach Studios embraced the new medium to become, for a time, the premier telefilm producer.
Aided by a comprehensive filmography and twenty-seven illustrations, A History of the Hal Roach Studios recounts an overlooked chapter in American cinema, not only detailing the business operations of Roach’s productions but also exposing the intricate workings of Hollywood’s rivalrous moviemaking establishment.
- Sales Rank: #1447599 in Books
- Published on: 2006-08-15
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .70" w x 6.00" l, 1.03 pounds
- Binding: Paperback
- 248 pages
Review
“This first history of the Hal Roach Studios is enhanced by numerous illustrations, appendixes that offer financials and synopses of the studio’s films and television series, and an extensive filmography. . . . Essential.”—C. McCutcheon, Choice
About the Author
Richard Lewis Ward is an associate professor at the University of South Alabama where he teaches courses in film and television. His essays on Hollywood’s studio era and the golden age of television have been published in Media History, Studies in Popular Culture, and Feedback
Most helpful customer reviews
8 of 10 people found the following review helpful.
A Very Interesting History
By toserveman
I debated for quite some time on whether I wanted to read what I feared would be boring background information on the inner-workings of a studio from the distant past. However, I finally decided to purchase this book, since I am a big fan of the studio's product, principally Laurel & Hardy, Our Gang, and early Harold Lloyd. Anyway, I was very pleasantly surprised. This book is a very interesting read, the author having done a remarkable job of fleshing out the story of Hal Roach Studios. If you have even a passing interest in the artists who worked at Hal Roach Studios, or are interested in the story of a tireless, risk-taking entrepreneur (i.e., Hal Roach), then I highly recommend this book. My only complaint is that I wish there had been a few more pictures. But those the author chose to include are quite interesting. My thanks to the author for writing this excellent book.
29 of 31 people found the following review helpful.
The business side of laughter
By Bruce Calvert
During the 1910s, Hal Roach started a little comedy studio. By the late 1920s, he had eclipsed rival Mack Sennett both artistically and financially. His studio built Harold Lloyd and Stan Laurel & Oliver Hardy into major comedy stars. And lots of lesser comedians like Snub Pollard, Charley Chase, Our Gang, Will Rogers, and Thelma Todd made funny films there too.
While a comprehensive artistic history of the studio has yet to be written, Mr. Ward's book goes into great detail on the inner workings of the business side of movie making. From the beginning of the studio, Roach had problems with Pathe booking his films into theaters. Pathe complained that the Roach films were not funny, and did not always pay Roach enough to make a good profit. After Roach signed a distribution agreement with M-G-M, things were much rosier, especially because Laurel & Hardy became such big stars.
Roach even secretly made a Laurel & Hardy feature film, and many more followed. Roach also made a few dramatic films too, like OF MICE AND MEN and ONE MILLION BC. Roach's studio survived into the 1950s, being run by Hal Roach, Jr. and making television programs. However, after World War II the studio's glory days were behind them.
If you are a fan of Harold Lloyd, Laurel & Hardy, Charley Chase, or Our Gang, this book is a must read. While critical assesments of films are only in a small appendix, this book will tell you everything else about the struggles that the Roach personnel had making great comedies. Although Roach certainly was successful, you will be surprised with all of the failed comedy series that he tried. And you will discover that Roach was a much better producer than director. His later directoral films were not very good.
Mr. Ward's book is extensively researched and end-noted. It belongs on the bookshelf of any silent comedy or sound comedy fan.
0 of 0 people found the following review helpful.
Really quite interesting
By J. Bianchi
You won't find cute, anecdotal memories from interviews with an aging Hal Roach--so if that's what you're looking for, look elsewhere.
What you will find is a very interesting look into the early years of independent studio movie production--from the business end instead of the creative end.
This book is very well researched and allows the reader to take a peek back in time. It's honest about what Hal Roach was good at, and what he wasn't.
There are some details about the old stars (Laurel and Hardy, Harold Lloyd, Our Gang, etc.) but nothing particularly intimate. Which in my opinion is a good thing. Those kinds of details belong in biographies.
This book was a great read for me. I thoroughly enjoyed it.
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