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Unfinished Show Business: Broadway Musicals as Works-in-Process (Theater in the Americas), by Bruce Kirle
Free Ebook Unfinished Show Business: Broadway Musicals as Works-in-Process (Theater in the Americas), by Bruce Kirle
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In this fresh approach to musical theatre history, Bruce Kirle challenges the commonly understood trajectory of the genre. Drawing on the notion that the world of the author stays fixed while the world of the audience is ever-changing, Kirle suggests that musicals are open, fluid products of the particular cultural moment in which they are performed. Incomplete as printed texts and scores, musicals take on unpredictable lives of their own in the complex transformation from page to stage.
Using lenses borrowed from performance studies, cultural studies, queer studies, and ethnoracial studies, Unfinished Show Business: Broadway Musicals as Works-in-Process argues that musicals are as interesting for the provocative issues they raise about shifting attitudes toward American identity as for their show-stopping song-and-dance numbers and conveniently happy endings. Kirle illustrates how performers such as Ed Wynn, Fanny Brice, and the Marx Brothers used their charismatic personalities and quirkiness to provide insights into the struggle of marginalized ethnoracial groups to assimilate. Using examples from favorites including Oklahoma!, Fiddler on the Roof, A Chorus Line, and Les Misérables, Kirle demonstrates Broadway’s ability to bridge seemingly insoluble tensions in society, from economic and political anxiety surrounding World War II to generational conflict and youth counterculture to corporate America and the me” generation. Enlivened by a gallery of some of Broadway’s most memorable momentsand some amusing, obscure ones as wellthis study will appeal to students, scholars, and lifelong musical theatre enthusiasts.
- Sales Rank: #1898148 in Books
- Brand: Brand: Southern Illinois University Press
- Published on: 2005-10-24
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .80" w x 6.00" l, .94 pounds
- Binding: Paperback
- 312 pages
- Used Book in Good Condition
Review
Bruce Kirle reassesses America’s most distinctive and popular theatrical form, the Broadway musical, and demonstrates it to be an enormously complex social phenomenon. By analyzing performance conventionsindeed, everything that never makes it into the published libretto or scorehe sheds new light on many of the musicals we thought we knew so well.”David Savran, author of A Queer Sort of Materialism: Recontextualizing American Theater
Sweeping through the twentieth century, Unfinished Show Business offers a new perspective on the function of the American musical and its importance to international theatre. Kirle’s book will become a standard study of the form.” Judith Milhous, The CUNY Graduate Center
Through personal anecdote, built from his long years working as a musical director on and off Broadway and on the road, and through meticulous research and nuanced analysis, Kirle creates a vibrant, usable past for a form too often approached through tired linear histories and hagiographies. Unfinished Show Business is a must-read for musical theatre fans, scholars, and artists alike.”Jill Dolan, University of Texas at Austin
About the Author
Bruce Kirle is a lecturer in music theatre at the Central School of Speech and Drama in London and a former associate professor of theatre at Roosevelt University in Chicago. He has published on the reflexive relationship between Broadway musicals and the shifting perceptions of American identity in Theatre Journal, and he received the Monette-Horwitz Dissertation Prize for 2001 - 2002 from CLAG (Center for Lesbian and Gay Studies). Before earning his doctorate, Kirle was a professional musical director. He began his career composing musicals at La MaMa in New York.
Most helpful customer reviews
6 of 6 people found the following review helpful.
True insight into the life of Broadway musicals
By Michael Kavanaugh
"Unfinished Show Business: Broadway Musicals as Works-in-Process" is a rare treat of a read for enthusiasts and students of the theater. It's a fun step ahead. Bruce Kirle travels beyond the familiar chronological litany of titles and gossip to investigate what makes musical theater trends live and die.
He argues that the style of musicals is ever changing because musicals are based on the foundation of the ever changing American mind. Public scuffles and feelings about race, gender, homosexuality, war, politics, economy and the struggle for human rights are shown as the intimate energy that not only fueled changes in the meanings within the plays but the physical and musical methods as well.
As a big fan of musicals who reads these things all the time, I jumped off my couch in delight as I shared Kirle's adult consideration of history and drama as it effected what took place on the musical stage. It is exciting to depart from the hero worship of the great masters for a moment in order to get a new grip on what led audiences to crown a hit a hit and a star a star in the past century and how the most clever individuals molded their great acts and scores within a fluctuating civil atmosphere.
And there are plenty of lovely facts and amusing anecdotes to be had as well, and so much of it is new to me. Kirle brings his own experience as a composer, director and conductor into play giving a fresh appreciation to the great Broadway artists and their work.
Just when I mourned there was nothing new to think about musical theater, I got a hold of this book and I am grateful. I LOVE this book.
0 of 1 people found the following review helpful.
I admit, I haven't read much of or purchased ...
By Michael Byrne
I admit, I haven't read much of or purchased this book. I came across this book researching Anne Bogart's NYU production of "South Pacific"
On the few pages I was able to preview about Bogart's production:
A. He gets the dates wrong
B. He implies that the production was shut down when it was just denied an extension
C. He attributes Larry Gelbart's Famous line about Hitler on the road with a music in trouble to Burt Shevelove
D. He spells Burt Bert.
This is on about two random pages. I can't believe the rest of the book is accurate if these few random pages have so many errors on them.
1 of 1 people found the following review helpful.
I admit I haven't read much of or purchased this ...
By Michael Byrne
I admit I haven't read much of or purchased this book. I came across this book researching Anne Bogart's NYU production of "South Pacific"
On the few pages I was able to preview about Bogart's production:
A. He gets the dates wrong
B. He implies that the production was shut down when I think it was just denied an extension
C. He attributes Larry Gelbart's Famous line about Hitler on the road with a music in trouble to Burt Shevelove
D. He spells Burt Bert.
This is on about two random pages. I can't believe the rest of the book is accurate if these few random pages have so many errors on them.
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