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Hitchcock's Rear Window: The Well-Made Film, by Associate Professor John Fawell PhD
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Providing an extensive analysis of Rear Window, John Fawell dismantles many myths and cliches about Hitchcock, particularly in regard to his attitude toward women.
- Sales Rank: #2212022 in Books
- Brand: Brand: Southern Illinois University Press
- Published on: 2004-11-22
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .70" w x 6.00" l, .64 pounds
- Binding: Paperback
- 200 pages
- Used Book in Good Condition
Review
"Fawell builds his study on the previous research of other scholars, but he also questions some of their assumptions and criticisms about Hitchcock and his films in a most lively fashion. His study is a solid and substantial analysis."
" John Fawell builds his study on the previous research of other scholars, but he also questions some of their assumptions and criticisms about Hitchcock and his films in a most lively fashion. His study is a solid and substantial analysis." -- Gene Philips, editor of "Stanley Kubrick: Interviews "and author of "Alfred Hitchcock"
" Fawell encourages readers to see and hear connections that merit more thought and appreciation than casual viewing would suggest. As Fawell moves from one topic to another and points out the film' s many different kinds of interconnections, the reader will come to understand exactly how well-made "Rear Window" is. . . . [R]eaders will come away with a better appreciation of the reasons why critics value the film so highly." -- "Hitchcock Annual"
" John Fawell builds his study on the previous research of other scholars, but he also questions some of their assumptions and criticisms about Hitchcock and his films in a most lively fashion. His study is a solid and substantial analysis. " -- Gene Philips, editor of Stanley Kubrick: Interviews and author of Alfred Hitchcock
" Fawell encourages readers to see and hear connections that merit more thought and appreciation than casual viewing would suggest. As Fawell moves from one topic to another and points out the film ' s many different kinds of interconnections, the reader will come to understand exactly how well-made Rear Window is. . . .& nbsp; [R]eaders will come away with a better appreciation of the reasons why critics value the film so highly. " -- Hitchcock Annual
"John Fawell builds his study on the previous research of other scholars, but he also questions some of their assumptions and criticisms about Hitchcock and his films in a most lively fashion. His study is a solid and substantial analysis."--Gene Philips, editor of "Stanley Kubrick: Interviews "and author of "Alfred Hitchcock"
"Fawell encourages readers to see and hear connections that merit more thought and appreciation than casual viewing would suggest. As Fawell moves from one topic to another and points out the film's many different kinds of interconnections, the reader will come to understand exactly how well-made "Rear Window" is. . . . [R]eaders will come away with a better appreciation of the reasons why critics value the film so highly."--"Hitchcock Annual "
About the Author
John Fawell is an associate professor in the Department of Humanities at the College of General Studies, Boston University. He writes widely on film and literature, covering everything from classical literature to filmmakers such as Hitchcock, Jacques Tati, Eric Rohmer, and Blake Edwards.
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