Free Ebook American Gargoyles: Flannery O'Connor and the Medieval Grotesque, by Assistant Professor Anthony Di Renzo B.S. M.A. Ph.D.
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Focusing here on the comic genius of Flannery O’Connor’s fiction, Anthony Di Renzo reveals a dimension of the author’s work that has been overlooked by both her supporters and her detractors, most of whom have heretofore concentrated exclusively on her use of theology and parable.
Noting an especial kinship between her characters and the grotesqueries that adorn the margins of illuminated manuscripts and the facades of European cathedrals, he argues that O’Connor’s Gothicism brings her tales closer in spirit to the English mystery cycles and the leering gargoyles of medieval architecture than to the Gothic fiction of Poe and Hawthorne to which critics have so often linked her work.
Relying partly on Mikhail Bakhtin’s analysis of Rabelais, Di Renzo examines the different forms of the grotesque in O’Connor’s fiction and the parallels in medieval art, literature, and folklore. He begins by demonstrating that the figure of Christ is the ideal behind her satire—an ideal, however, that must be degraded as well as exalted if it is ever to be a living presence in the physical world. Di Renzo goes on to discuss O’Connor’s unusual treatment of the human body and its relationship to medieval fabliaux. He depicts the interplay between the saintly and the demonic in her work, illustrating how for her good is just as grotesque as evil because it is still "something under construction."
- Sales Rank: #5952156 in Books
- Brand: Example Product Brand
- Published on: 1993-06-01
- Ingredients: Example Ingredients
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .88" w x 5.50" l,
- Binding: Hardcover
- 272 pages
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Review
"This is a book that will introduce readers to O’Connor in essential ways; and for even the most advanced scholar of O’Connor, there is much here that is instantly and permanently rewarding."—Arthur F. Kinney, author of Flannery O’Connor’s Library: Resources of Being
"O’Connor’s freaks jostle with Rabelais and Chaucer, the danse macabre, and the Christianized Saturnalia of the ‘Laughter of December’ in Di Renzo’s excellent tour-guide to ‘that strange passageway between the sacred and the profane.’" —Choice
About the Author
Anthony Di Renzo is an assistant professor in the writing program at Ithaca College.
Most helpful customer reviews
0 of 0 people found the following review helpful.
This is definitely one of the very best books on O'Connor I have yet encountered
By Taylor's Dad
I am presently reading my way, chronologically, through just about every book ever written on Flannery O'Connor. I am now into the 1990s. This is definitely one of the very best books on O'Connor I have yet encountered, and it is also a very rare academic book in that it is not only exceptionally well written but also lots of fun to read. It is full of insights and substance and yet also constantly entertaining and satisfying simply as a fine piece of writing in its own right. Many sentences compel assent, and some will make you laugh out loud. Highly recommended.
0 of 4 people found the following review helpful.
DiRenzo understands O'Conner
By A Customer
There is a temptation to say that O'Conner is just out there. DiRenzo does a great job putting O'conner in context.
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