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To be completed in 12 volumes, this monumental work here begins publication with the first two volumes—Abaco to Bertie and Bertin to Byzard. When completed, it is expected that the biographical dictionary will include information on more than 8,500 individuals.
Hundreds of printed sources have been searched for this project, and dozens of repositories combed, and the names of personnel listed have been filtered through parish registers whenever possible. From published and unpublished sources, from wills, archives of professional societies and guilds, from records of colleges, universities, and clubs, and from the contributions of selfless scholars, the authors have here assembled material which illuminates theatrical and musical activity in London in the 1660–1800 period.
The information here amassed will doubtless be augmented by other specialists in Restoration and eighteenth-century theatre and drama, but it is not likely that the number of persons now known surely or conjectured finally to have been connected with theatrical enterprise in this period will ever be increased considerably. Certainly, the contributions made here add immeasurably to existing knowledge, and in a number of instances correct standard histories or reference works.
The accompanying illustrations, estimated to be some 1,400 likenesses—at least one picture of each subject for whom a portrait exists—may prove to be a useful feature of the Work. The authors have gone beyond embellishment of the text, and have attempted to list all original portraits any knowledge of which is now recoverable, and have tried to ascertain the present location of portraits in every medium.
- Sales Rank: #14173661 in Books
- Published on: 1973-12-27
- Original language: English
- Number of items: 1
- Dimensions: 9.75" h x 1.40" w x 6.88" l, 2.70 pounds
- Binding: Hardcover
- 496 pages
Review
“This multi-volume work is one of the most important reference aids to be published on the English theatre of the Restoration and eighteenth-century.”
—American Reference Books Annual
“An indispensable reference.”—The English Association
“A reference set of the first importance.”—The Eighteenth Century
About the Author
Philip H. Highfill, Jr., is a professor emeritus of English at George Washington University.
Kalman A. Burnim is emeritus Fletcher Professor of Drama at Tufts University.
Edward A. Langhans is an emeritus professor of drama and theatre at the University of Hawaii.
Most helpful customer reviews
2 of 2 people found the following review helpful.
A valuable tool, but not complete
By Virginia E. Demarce
This book is a marvellous reference as far as the stage careers of the individuals are concerned. It is less complete when dealing with other aspects of their lives.
For example, in the biography of Joseph Fox, one daughter is left as unidentified. A little work outside of theatrical resources would have made it clear that she was Elizabeth Fox, aka Mrs. Crole, who was a mistress of the third earl of Egremont, and who also bore a son, George Seymour Crole, to the future King George IV.
See for example:
The National Archives | Access to Archives
Consolidated Bank Annuities, on Elizabeth Fox (called Elizabeth Crole) of Hans Place, Chelsea, co. Middx., spinster (eldest dau. of Joseph Fox, ...
[...] ... - Cached - Similar
No further details Settlement by George Obrien, Earl of Egremont, of the dividends from £13,333 6s. 8d. Three per cent. Consolidated Bank Annuities, on Elizabeth Fox (called Elizabeth Crole) of Hans Place, Chelsea, co. Middx., spinster (eldest dau. of Joseph Fox, late of Brighton, gent., dec'd), and her children, Charles Richard and Mary Crole. PHA/3028 5 June 1795
Lydia Collins, titled "George Seymore Crole", published in *Genealogists' Magazine*, vol. 21, no. 7 (Sept. 1984), pp. 228-235.
1 of 1 people found the following review helpful.
A extraordinary tool for performing arts researchers
By Dominique Jando
Whatever your field is -- theater, dance, music and even circus arts, this extremely well researched and documented dictionary provides an answer to any question about anyone working in the performing arts in London between 1660 and 1800 -- quite a rich and fascinating period if any. Since performers at the time were well-travelled (dancers, musicians and variety artists especially), the cast of characters depicted along the pages is indeed not uniquely British: Vestris, Giuseppe Grimaldi among others have long biographies, documenting even the work they have done outside London. Many unusual sources are given, which will allow you to further research a specific matter if so you wish. An indispensable basic tool for any serious researcher of the performing arts.
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