Free PDF Backwards & Forwards: A Technical Manual for Reading Plays, by David Ball
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Backwards & Forwards: A Technical Manual for Reading Plays, by David Ball
Free PDF Backwards & Forwards: A Technical Manual for Reading Plays, by David Ball
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This guide to playreading for students and practitioners of both theater and literature complements, rather then contradicts or repeats, traditional methods of literary analysis of scripts.
Ball developed his method during his work as Literary Director at the Guthrie Theater, building his guide on the crafts playwrights of every period and style use to make their plays stageworthy. The text is full of tools for students and practitioners to use as they investigate plot, character, theme, exposition, imagery, motivation/obstacle/conflict, theatricality, and the other crucial parts of the superstructure of a play. He includes guides for discovering what the playwright considers the play’s most important elements, thus permitting interpretation based on the foundation of the play rather than its details.
Using Hamlet as illustration, Ball assures a familiar base for illustrating script-reading techniques as well as examples of the kinds of misinterpretation readers can fall prey to by ignoring the craft of the playwright. Of immense utility to those who want to put plays on the stage (actors, directors, designers, production specialists) Backwards and Forwards is also a fine playwriting manual because the structures it describes are the primary tools of the playwright.
- Sales Rank: #1915 in Books
- Published on: 1983-07-07
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .40" w x 5.50" l, .30 pounds
- Binding: Paperback
- 104 pages
Review
“In fewer than 100 pages, this marvelously instructive book shows how to unlock the secrets of plot, character, theme, exposition, imagery, motivation, conflict, theatricality and pacing… Our editor says he learned more about dramatic structure in the few hours he spent with this 96-page book than he has in his 20-years of theater experience.”—Stage Directions
“Ball wrote [Backwards and Forwards] to help people who put on plays understand how a play works… He argues that scripts represent a special kind of writing—because it is writing meant to be staged, not read— and thus requires special reading techniques; these techniques are what he offers.”—Dramatics
About the Author
David Ball wrote Backwards and Forwards when he was Professor of playwriting, acting, theater history, and literature at Carnegie-Mellon University. He had earlier been on the senior directing and literary staffs at the Guthrie Theater in Minneapolis, and more recently was Head of Drama at Duke University during that department's "Golden Years." His students have gone on to win Emmies, Oscars, Obies, and Tony awards in every area of theater, TV, and film. Backwards and Forwards has been the field's standard text for a quarter century, making Dr. Ball one of the most influential and respected of theater and film theorists, educators, and trainers of his generation. His own professional directing, producing, and writing credits encompass Broadway, off-Broadway, regional theater, and film; and his landmark adaptation of Moliere's The Miser was staged in major regional theaters from coast to coast as one of Theatre de la Jeune Lune's Tony-award-winning productions.
Most helpful customer reviews
36 of 37 people found the following review helpful.
A Must for Directors, New and Experienced
By Stephen
David Ball's book on script analysis should be read and understood by anyone who directs plays. He explains how to read a play through the very simple technique of reading it from start to finish--and then backwards, from finish to start. By doing so, he points out, the reader learns how one scene leads logically and progressively to the next. While the concept is simple and straightforward, you have to read Ball's book to see how this process can be used to ferret out every important detail of plot and character development.
27 of 28 people found the following review helpful.
Demystifying the Playwriting Process
By D. L. Ehlers
David Ball's book is a must-have for all students and professors of theatre. It demystifies the playwriting process and presents a simple, down-to-earth explanation of why a playscript works the way it does. In a word, it explains how scripts work. I find the deceptively simple explanations help the novices in my Introduction to Theatre classes understand how playscripts are put together and make a fun game of script analysis for these students--a concept that is often hard to communicate to Intro students. At the same time, it make so much sense that it becomes the cornerstone for Beginning Directing, Playwriting, and Script Analysis students. Students whom I teach using Ball's ideas always come through the semester with a lot of self-esteem because having such a solid cornerstone allows their creativity to take off in unexpected directions.
20 of 20 people found the following review helpful.
An eye-opener for writers, readers, and play- & movie-goers
By Jp Christy
A friend who teachs drama and directing at a local college recommended this book to me after he'd read a script I'd written. Not only is it a fast and interesting read, it offers simple and sometimes brilliant techniques for understanding and evaluating plays, movies, and even books. Even if you never plan to act or write, this well-written little book will enhance your appreciation of good story-telling. And if you ever had to endure discussions of "Hamlet" in high-school or college, you'll likely be surprised by Ball's unique take on the character as an example of dramatic writing.
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