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Thomas Pynchon: The Art of Allusion (Crosscurrents / Modern Critiques / New Series), by David Cowart
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This fresh examination of Pynchon’s use of painting, film, music, and literature shows that his true art lies in humanistic allusions that stress the possibility of spiritually separating oneself from the modern wasteland.
Cowart disagrees with critics who see Pynchon as a scientist writing about entropy, although Pynchon does illustrate the nihilistic world for which he is famous in allusions to painting and film, both of which mask a Void. But more important, these allusions call into question what is real and what is not. Through musical and literary allusions Pynchon suggests the speculative world, the world of unrealized possibility. Music hints at the dimensions of experience people miss because of the narrow range of experiences to which they are attuned. Literary allusions support and extend the almost mystical sense created by musical allusions, thus suggesting that in Pynchon’s view, human consciousness need not be trapped by entropic drift.
- Sales Rank: #2844776 in Books
- Published on: 1980-04-01
- Ingredients: Example Ingredients
- Original language: English
- Number of items: 1
- Dimensions: 8.25" h x .63" w x 5.50" l,
- Binding: Hardcover
- 154 pages
About the Author
David Cowart is an Assistant Professor of English at the University of South Carolina.
Most helpful customer reviews
9 of 10 people found the following review helpful.
Only for those who enjoy intellectual & artistic challenges
By Mad Max
This fresh examination of the wide range of Pynchon's works --painting, film, music, and literature-- shows that his true art lies in humanistic allusions that stress the possibility of spiritually separating oneself from the modern wasteland. Written by a literature professor, the point of the book, I believe, is to show that although Pynchon's work depicts contemporary Western culture as destructive & entropic, he also holds an optimism for our ability to escape the traps of the modernist worldview/paradigm.
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